Dragon In The West

The collection delves into a reinvigoration of Vietnamese cultural symbols within the contemporary landscape of 21st-century America. I depict the phoenix and dragon while exploring the complexities of multicultural identity and immigration.

Drawing on 5th-century iconography and recontextualizing it through materials like cardboard, stucco, and steel, I explore the tension between cultural preservation and adaptation. Cardboard speaks to transience and fragmentation; stucco and steel, drawn from the architecture of immigrant homes, evoke resilience and sanctuary. These materials become metaphors for transformation, allowing me to layer personal history with collective memory.

Soeffker Gallery

410 Project Gallery

2024

American Tragedy

The show by Janell Hammer and Michael Nguyen Finch uses iconoclasm to confront Western monument culture, colonial artifact displacement, and the objectification of femininity. Centering a fractured Atlas carrying an orb inspired by Eastern deities, the work reimagines Hellenistic forms in states of deliberate decay—challenging institutional reverence for classical art.

Through soft, traditionally feminine materials and a queer lens, the works dismantle power, beauty, and historical authority, offering a melancholic reflection on legacy, loss, and reclamation.


Carlander Family Gallery

2023

“Public sculpture plays a pivotal role in my practice, providing a platform to explore spatial dominance, cultural assertion, and community building.”

Public Work

Prints

These hand carved relief woodcut prints explore classical themes and the mundane.